
Depraved in all the right ways: why forgotten no wave visionary Gordon Stevenson is about to take off He made the notorious film Ecstatic Stigmatic. He designed punk jewellery worthy of Westwood. He played in a perfect band with Lydia Lunch. Now a newly discovered archive is casting new light on this star of the New York demimondeGordon Stevenson was a mover and a shaker within late-70s New York, back when the city was, in the words of photographer Julia Gorton, a nihilistic playground for people with trauma. Tall, rail-thin, hair cut into a severe widows peak, Stevenson was an artist, jewellery designer, musician and the auteur behind one of no wave cinemas most notorious works, Ecstatic Stigmatic.Four decades after his death, however, hes best remembered as a footnote in other peoples stories. Thats all about to change, however, with the discovery of a storage unit full of his lost work, including jewellery, collaborations with mail-art pioneer Ray Johnson, and even clues to the whereabouts of a surviving print of Ecstatic Stigmatic. Meanwhile, his family have recovered hundreds of letters Stevenson wrote to his parents, chronicling life in his downtown demimonde and his experiences as one of New Yorks first Aids patients. Continue reading...
theguardian · 3 days ago

After dinosaurs, its spot the dog! But can a child really learn anything in a gallery? Galleries such as National Museum Cardiff pull in children with their play areas and pencils – but stick around and youll notice kids critiquing Turner paintings tooNeil Osborne and his three-year-old daughter Daisy are peering at a small, shimmering painting by JMW Turner of foaming waves crashing against a cliff. Its their second visit to the National Museum Cardiff (NMC). Daisy loves the dinosaurs in the prehistoric galleries downstairs, which Neil believes are more kid-friendly; the upstairs art galleries are quieter, with fewer children charging about. She actually started whispering when we got up here, he says, but she likes seeing the paintings and saying what they look like. He asks her what she makes of the Turner, and she replies: A fish.For us, today is a nursery day, so Im without my cub reporter. Instead, Im here solo in Cardiff to figure out whether getting under-fives into galleries is more about entertainment or education, and to gauge the feelings of fellow parents. I cant be the only one who thinks my almost-two-year-old might be capable of learning something from looking at art, can I? Continue reading...
theguardian · 3 days ago

An orgy of antisemitism is overtaking the west: Son of Sauls László Nemes on Hollywood hypocrisy His extraordinary Auschwitz film won every award going. Now the Hungarian director is back with new drama Orphan, as well as a Jean Moulin biopic at Cannes. He talks about resurgent global prejudice – and refusing to be lectured by the film industry overclassWeve been talking for less than five minutes when I spot the swastika. Its just above the head of László Nemes, one of Europes most acclaimed directors, as he sits in the suite of a London hotel, talking about Orphan, his intensely personal new film that dwells on – among other things – the impact of the Holocaust on the generations that followed. Its an ancient, Hindu swastika, part of a decorative wall-hanging – but still.Im halfway through a question when I notice it. Nemes laughs; of course, hed seen it immediately. I wanted to point that out to you, he says. It is so funny. Before leaving this room, I will take pictures. Mind you, hes had worse. When I was at the San Sebastián film festival with Son of Saul, they put me in the Mel Gibson room. Continue reading...
theguardian · 3 days ago