Japanese artist Yayoi Kusama, known for polka dots and infinity rooms, dies in Tokyo at 97

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Japanese artist Yayoi Kusama, known for polka dots and infinity rooms, dies in Tokyo at 97
Japanese avant-garde artist Yayoi Kusama dies in Tokyo at 97
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Yayoi Kusama, the Japanese artist renowned for her polka dot motifs and immersive infinity mirror rooms, died in Tokyo on Aug. 14 at the age of 97, her company and the Yayoi Kusama Museum confirmed on Thursday.
Born in Matsumoto in 1929, Kusama overcame a conservative upbringing and childhood hallucinations to become a pioneering figure in avant-garde art. She moved to New York in 1958, where her "infinity net" paintings and phallic sculptures disrupted the male-dominated art scene, influencing peers like Andy Warhol. Her work spanned visual art, performance, fiction, and poetry, earning international acclaim.
Kusama voluntarily entered a psychiatric facility in Tokyo in 1977, where she continued to create art until her death. A statement from her representatives said she "continued to paint until her final days, never setting aside her brush, and continued exploration of forever love and eternal soul." The statement added, "We will carry forward Kusama’s wishes and, through art, continue to bring hope and strength for the future to people around the world" .
Her career was marked by bold, often controversial, public interventions. In 1966, she presented *Narcissus Garden* at the Venice Biennale, selling reflective spheres under the banner "Your narcissism for sale." In 1968, she staged New York’s first homosexual wedding, and in 1969, she wrote to President Richard Nixon offering to sleep with him in exchange for ending the Vietnam War. She also washed a Soviet flag outside the United Nations building in protest.
Kusama’s signature works—polka dot pumpkins, mirrored infinity rooms, and psychedelic installations—became globally recognized, transforming her into a cultural icon. Her art, rooted in her struggles with mental health and trauma, often explored themes of repetition, infinity, and the self. She described her creative process as a form of therapy, once stating, “I began to make penises to heal my feelings of disgust toward sexuality. Reproducing these objects repeatedly was my way of overcoming fear” .
Tributes poured in from art institutions and fans worldwide following the announcement. France 24 noted her evolution from an outsider in Japan’s conservative art scene to a global superstar, while The Times remembered her as an artist who "found new fans with every decade" .
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